燒製陶瓷是一種古老的民生技藝。英國陶瓷藝術家艾德蒙．德瓦爾（Edmund de Waal）走訪東西瓷鄉，將歷代瓷器背後糾結的歷史脈絡，以及眾人的風靡與狂熱，寫成了《白瓷之路》。 在台灣，足以名列世界陶瓷重鎮行伍中，是有「台灣景德鎮」別稱的鶯歌。雖然沒有什麼傳奇或戲劇性的過往，但她，也有屬於自己的故事.....
還是電影《悲情城市》裡的淒美？ Or is it the poignant mood captured in Hou Hsiao-hsien’s film A City of Sadness?
poignant 令人酸楚的，淒美的 The movie’s ending was so poignant that many people in the audience were in tears.
依山勢而建的屋舍，混亂卻又迷人，不僅道路蛇行蜿蜒，還有上有下，店面大小不一。 Houses were built willy-nilly on mountain slopes, leaving streets that twist and turn as they wind up and down, and shops that vary in shape and size.
willy-nilly 隨意地、亂七八糟地、毫無計畫地 When the storm came, we were forced to leave the campsite willy-nilly.
燒製陶瓷是一種古老的民生技藝。英國陶瓷藝術家艾德蒙．德瓦爾（Edmund de Waal）走訪東西瓷鄉，將歷代瓷器背後糾結的歷史脈絡，以及眾人的風靡與狂熱，寫成了《白瓷之路》。 在台灣，足以名列世界陶瓷重鎮行伍中，是有「台灣景德鎮」別稱的鶯歌。雖然沒有什麼傳奇或戲劇性的過往，但她，也有屬於自己的故事.....
還是電影《悲情城市》裡的淒美？ Or is it the poignant mood captured in Hou Hsiao-hsien’s film A City of Sadness?
poignant 令人酸楚的，淒美的 The movie’s ending was so poignant that many people in the audience were in tears.
依山勢而建的屋舍，混亂卻又迷人，不僅道路蛇行蜿蜒，還有上有下，店面大小不一。 Houses were built willy-nilly on mountain slopes, leaving streets that twist and turn as they wind up and down, and shops that vary in shape and size.
willy-nilly 隨意地、亂七八糟地、毫無計畫地 When the storm came, we were forced to leave the campsite willy-nilly.
燒製陶瓷是一種古老的民生技藝。英國陶瓷藝術家艾德蒙．德瓦爾（Edmund de Waal）走訪東西瓷鄉，將歷代瓷器背後糾結的歷史脈絡，以及眾人的風靡與狂熱，寫成了《白瓷之路》。 在台灣，足以名列世界陶瓷重鎮行伍中，是有「台灣景德鎮」別稱的鶯歌。雖然沒有什麼傳奇或戲劇性的過往，但她，也有屬於自己的故事.....
還是電影《悲情城市》裡的淒美？ Or is it the poignant mood captured in Hou Hsiao-hsien’s film A City of Sadness?
poignant 令人酸楚的，淒美的 The movie’s ending was so poignant that many people in the audience were in tears.
依山勢而建的屋舍，混亂卻又迷人，不僅道路蛇行蜿蜒，還有上有下，店面大小不一。 Houses were built willy-nilly on mountain slopes, leaving streets that twist and turn as they wind up and down, and shops that vary in shape and size.
willy-nilly 隨意地、亂七八糟地、毫無計畫地 When the storm came, we were forced to leave the campsite willy-nilly.
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