來自中歐的樂音

來自匈牙利的首席指揮吉博‧瓦格

及鋼琴大師戴佐‧朗基

攜手同臺帶領大家翱翔於

匈牙利、斯洛伐克、波蘭及捷克

體驗中歐四國（Visegrád Group）的文化與藝術

演出者
首席指揮：吉博‧ 瓦格 Gilbert Varga, Principal Conductor
鋼琴：戴佐‧ 朗基 Dezső Ránki, Piano
小提琴：姜智譯 Roger Chih-I Chiang, Violin
大提琴：簡荿玄 Janet Chien, Cello
臺北市立交響樂團 Taipei Symphony Orchestra

演出曲目
高達：船歌
Vladimír Godár: Barcarolle
巴爾托克：E大調第三號鋼琴協奏曲，作品119
Béla Bartók: Piano Concerto No. 3 in E Major, Sz. 119, BB 127
席曼諾夫斯基：第一號小提琴協奏曲，作品35
Karol Szymanowski: Violin Concerto No. 1, Op. 35
德弗札克：降D 大調隨想詼諧曲，作品66
Antonín Dvořák: Scherzo Capriccioso in D-flat Major,Op. 66, B.131

演出時間：103年6月21日 星期六 晚上7：30

演出地點：臺北市中山堂中正廳 Zhongzheng Auditorium, Zhongshan Hall

音樂會詳細資訊：《請點此》

線上購票連結：《請點此》

德佛亞克，因創作了斯拉夫舞曲集，讓他在音樂界佔有不凡的地位。在他的作品中，也處處可感受到斯拉夫音樂熱情活潑的精神。
德佛亞克與巴爾托克，二者最後都在民族大熔爐的美國發展。美國黑人音樂與爵士樂對德佛亞克產生影響；同樣的，巴爾托克到了美國之後，就在他生命終點前，所創作的第三號鋼琴協奏曲中，除了一貫的融合了匈牙利民謠素材外，我們可以聽到爵士音樂的影子。而且風格反璞歸真，單純、童稚又帶點優雅的風格，完全感受不到這是作曲家「未完成」的遺作。
斯洛伐克現代作曲家高達以現代精神吟唱古老的「船歌」，精巧又特別的樂器編制，傳達悠揚而神秘的韻味。
且看兩位匈牙利籍的首席指揮及鋼琴家Dezső Ránk攜手同臺帶領大家翱翔於匈牙利的巴爾托克、斯洛伐克的高達、波蘭的席曼諾夫斯基及捷克的德佛亞克，一同體驗高堡四國( Visegrád Group)的文化藝術。

Dvořák holds an extraordinary place in music history because of the Slavonic Dances, and in his compositions you can almost always feel that liveliness and passion of the Slavic spirit.
Both Dvořák and Bartók eventually developed their musical careers in the vast 'melting pot' of America. The music of Black Americans and jazz had a huge impact on Dvořák. Similarly, when Bartók wrote his Piano Concerto No. 3 toward the end of his life in the U.S., aside from using Hungarian folk melodies, you can also hear hints of jazz in the piece. The style of the piece is pure and simple in its approach, while also including a dash of elegance in the mix, but you cannot hear anything pointing to the fact that the composer would never actually be able to finish the work.
Contemporary Slovak composer Godar uses a modern approach to ancient boat chants in Barcarole, cleverly coming up with idiosyncratic instrumentation to represent its mellifluous mystery.
Two talented musicians of Hungarian descent on one stage, TSO principal conductor Varga and pianist Dezső Ránk join forces as they lead us in flight through music by Hungarian composer Bartok, Slovak composer Godar, Polish composer Szymanowski and Czech composer Dvorak, allowing us to experience some of the greatest artistic culture of the Central European states of the Visegrad Group.

小提琴：姜智譯 Roger Chih-I Chiang, Violin

臺北市立交響樂團首席及臺北市立交響樂團附設室內樂團指揮。自幼受劉賢灼老師啟蒙，後經由謝中平、饒加林、廖年賦及簡名彥等教授指導。1994年榮獲第九屆臺北市立交響樂團協奏曲大賽優勝。先後畢業於國立藝專（現為臺灣藝術大學）及臺北藝術大學音樂研究所。曾兩度與指揮大師Sergiu Comissiona與亞洲青年管弦樂團巡迴世界各地演出，亦經常受邀擔任臺北世紀交響樂團、新北市立交響樂團、歐亞管弦樂團以及臺北愛樂青年管弦樂團之客座首席，為臺灣當今最活躍的小提琴家之一。
1998年考入臺北市立交響樂團，自2001年起以26歲之齡擔任臺北市立交響樂團首席一職，為臺灣最年輕之職業樂團首席，並經常受邀與臺北世紀交響樂團、新北市立交響樂團、臺北市立交響樂團、高雄市立交響樂團、臺北市立國樂團、北京交響樂團擔任協奏演出，且定期於國家音樂廳舉行個人獨奏會，均獲得各界極大肯定與讚賞。

Roger Chih-I Chiang is concertmaster of the Taipei Symphony Orchestra and principal conductor of the TSO Chamber Orchestra. As a child, he was inspired by his teacher Hsien-Chuo Liu, and later studied with Chung-Ping Hsieh, Chia-Lin Rao, Nien-Fu Liao and Ming-Yen Chien. In 1994, Chiang won the TSO Violin Concerto Competition. After graduating from National Taiwan University of Arts and National Taipei University of the Arts' Institute of Musicology, he toured the world with the Asian Youth Orchestra under the direction of maestro Sergiu Comissiona. He has often been invited to serve as guest concertmaster for Taipei Century Symphony Orchestra, New Taipei City Symphony Orchestra, Eurasia Chamber Orchestra and Taipei Philharmonic Youth Orchestra, making him one of Taiwan's most active violinists.
Chiang started playing with the TSO in 1998, and at the age of 26 he became the TSO's concertmaster in 2001, making him the youngest concertmaster in a professional symphony in Taiwan at the time. He is often invited to perform violin concertos as featured soloist with Taipei Century Symphony Orchestra, New Taipei City Symphony Orchestra, Kaohsiung Symphony Orchestra, Taipei Chinese Orchestra, Beijing Symphony Orchestra, and regularly holds solo recitals at the National Concert Hall. Chiang's performances are always well received by critics and attain numerous accolades from audiences.

鋼琴：戴佐‧朗基 Dezső Ránki, Piano

匈牙利鋼琴家 戴佐朗基(Dezső Ránki)和席夫（Andras Schiff）、柯西斯（Zoltan Kocsis）三人並稱匈牙利三小傑，戴佐朗基師事卡多薩(Pál Kadosa)與拉多什(Ferenc Rados)，演奏風格富於抒情性。戴佐朗基也常與他的妻子艾迪特．克露根常同台演出雙鋼琴或四手聯彈，戴佐朗基在舒曼國際比賽中獲第一名從此開始到各地巡迴演出。經歷包括米蘭、巴黎、義大利拉維納、倫敦威格摩爾音樂廳、馬德里、哥廷根、布達佩斯等。他在同輩匈牙利鋼琴家中聲譽卓著，以對古典樂、浪漫樂派及後浪漫樂派作品精湛的詮釋聞名。

Dezső Ránki was born in Budapest in 1951 and is regarded as one of the most prominent Hungarian pianists of his generation, known for his excellent interpretations of the classical, romantic and late romantic repertory.
Ránki’s first international success was the first prize he won at the Zwickenau Schumann Piano Competition. Since then, he regularly performs in the most important venues in Europe, Japan and the United States with great orchestras such as Berlin Philharmonic Orchestra, the London Philharmonic Orchestra, the Royal Concertgebouw Orchestra, the Orchestre National in Paris and the Tokyo NHK. He has worked with several renowned conductors such as Sir George Solti, Kurt Sanderling, Lorin Maazel, Frans Brüggen, Edo de Waart, Ivan Fischer, Roberto Benzi, Muhai Tang, Jeffrey Tate, Zubin Mehta, Kirill Kondrasjin, Sándor Végh, Yehudi Menuhin and Vaclav Neumann.

首席指揮 吉博‧瓦格 Gilbert Varga, Principal Conductor

吉博‧瓦格（Gilbert Varga），知名匈牙利小提琴家提伯‧瓦格（Tibor Varga）之子，曾分別追隨三位風格迥異的指揮大師學習：法蘭柯‧費拉拉（Franco Ferrara）、塞吉‧傑利畢達克（Sergiu Celibidache）與查爾斯‧布魯克（Charles Bruck）。一上臺即充分展露權威的他，卻是以細膩雅緻的指揮技巧聞名於世，並曾以常任指揮或客席指揮的身分與世界許多重要樂團合作演出。
在北美洲，瓦格時常受邀擔任休士頓、聖路易斯、亞特蘭大、巴爾的摩、密爾沃基、明尼蘇達、猶他州和納許維爾等交響樂團之客席指揮，並在2013/14樂季首度與堪薩斯市立交響樂團及聖地牙哥交響樂團合作演出。經常亦於歐洲各大音樂廳演奏的他，足跡遍佈各大都市如柏林、萊比錫、法蘭克福、科隆、布達佩斯、里斯本、布魯塞爾、格拉斯哥等。2013年5月受聘為臺北市立交響樂團首席指揮，這個令人興奮的合作隨之而來的是為這個代表臺北市的樂團開啟尋找其專屬音樂廳的旅程，瓦格也因此身負音樂廳顧問之重責。

Gilbert Varga, son of the celebrated Hungarian violinist Tibor Varga, studied under three very different and distinctive maestros: Franco Ferrara, Sergiu Celibidache and Charles Bruck. A commanding and authoritative figure on the podium, Varga is renowned for his elegant baton technique, and has held positions with and guest-conducted many of the major orchestras throughout the world.
In North America, Varga regularly guest conducts the symphony orchestras of Houston, St. Louis, Atlanta, Baltimore, Milwaukee, Minnesota, Utah and Nashville amongst others and in 13-14 makes his debut with the orchestras of Kansas City and San Diego. In Europe, Varga works regularly with the major orchestras of Berlin, Leipzig, Frankfurt, Cologne, Budapest, Porto, Brussels and Glasgow amongst others. In May 2013 Varga was appointed Principal Conductor of the Taipei Symphony Orchestra, an appointment that comes at an exciting time for the orchestra as the city of Taipei embarks upon a journey to build the orchestra its own concert hall, a process in which Varga will be heavily involved as Consultant.

大提琴：簡荿玄 Janet Chien, Cello

幼時即在音樂方面展露才華，隨名師蕭茲與楊小佩學習鋼琴，十歲拜入已故大提琴名家張寬容教授門下，四年內即兩度獲得全國比賽首獎。十五歲即以教育部資賦優異生資格負笈美國，進入茱麗亞音樂院大學先修班深造，師事傳奇大師夏培洛（Harvey Shapiro），並以特優成績在四年內越級取得學士及碩士文憑。
自1989年應前臺北市立交響樂團團長陳秋盛力邀返國擔任該團大提琴首席至今，簡荿玄即成為我國最活躍之大提琴演奏家。時常於臺北市音樂季中擔綱演出獨奏並在室內樂領域展現出色丰采。簡荿玄曾在紐約愛麗絲杜麗廳、卡乃基小型演奏廳、華盛頓甘迺迪中心、東京、京都、琉球、札幌、九州、加拿大、法國等地演出獨奏與室內樂。1990年首屆日本札幌太平洋音樂節中獲已故指揮大師伯恩斯坦賞識擔任大提琴首席。1992年應邀日本京都建城紀念音樂節，自2005年起應邀擔任日本霧島國際音樂祭之特約演奏家，與日本各大樂團首席音樂家群及歐美音樂名家合作。

A native of Taiwan, Cellist Janet Chien first began her music training on the piano, at age ten, she was introduced to the cello, and quickly showed affinity with the instrument. After winning first prize in the Taiwan National Music competition first in the children’s division, and later in the junior’s division as well, Miss Chien was selected by the Educational Bureau’s Artistic Young Talent Program to study abroad.
At age 15, she entered the world-famous Juilliard School as a scholarship student, later completed both Bachelor’s and Master’s Degree in 4 years, under the tutelage of the legendary cellist Harvey Shapiro.
In 1989 Miss Chien was invited to join the Taipei Symphony Orchestra as Solo Principal Cellist, a position she has since held. She frequently made solo appearances with the orchestra, collaborating with conductors such as Vladimir Ziva, Peter Vronsky, and the former Music Director of the orchestra, Felix Chiu-Sen Chen. In 1990 she was invited to the first Pacific Music Festival, working with Maestro Leonard Bernstein and Yutaka Sato as one of the cello principals.